Select From The Galleries Below to See Real Case Studies.
The Art Starts
Suzanne Verma, MAMS, CCA
Verma pigments clear silicone to match all the various colors found in a patient’s anatomy. The silicone will be painted intrinsically in layers into the mold of the sculpted orbital prosthesis.
Making the Mold
Making the Mold
Color matching
Color matching
Refining the Prosthesis
Refining the Prosthesis
Color matching
Color matching
Beginning the mold
Color matching
Color matching
Refining the fit
The Art Starts
Crafting the prosthesis
The Art Starts
The Art Starts
Crafting the prosthesis
The Art Starts
The Art Starts
Verma makes adjustments to a full-face prosthesis.
During
Prosthesis in patient's hands
Verma makes adjustments to a full-face prosthesis.
Suzanne Verma helps patient Billy Crawford try on and adjust his facial prosthetic. The device is mostly silicone but includes realistic eyebrows and a mustache. It was specially designed to replace tissue Crawford lost due to a devastating infection.
Verma makes adjustments to a full-face prosthesis.
During
After
After
After
After
During
During
During
During
During
Before
Before
Before
implant retained bar for bar and clip retention
After
After
After
implant (bar and clip) retained prosthesis
Before
Before
Before
implant retained bar for bar and clip retention
After
After
After
After
Before
Before
Before
Before
After
After
After
After
prosthesis
prosthesis
Crafting the prosthesis
Nasal prosthesis example
extrinsic coloration
Matching skin Color
Crafting the prosthesis
Nasal prosthesis example
Before
Before
Before
back of prosthesis and magnets
Wearing the Prosthesis
Wearing The Prosthesis
Wearing the Prosthesis
Prosthesis
Wearing the Prosthesis
Trying on the prosthesis
Putting It On
Orbital Example
Orbital Example
Crafting the prosthesis
Crafting the prosthesis
Please note: Some photographs courtesy of Steven Crow. No rights transferred or implied.
